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Showing posts from 2015

The Son of God Became a Refugee (additions)

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2017 update: Here's Tony Alonso's recording of his arrangement: https://www.facebook.com/antonioalonso/videos/10154988084220811/ I've been amazed and humbled by how quickly "A Weary Couple" has spread. A number of people have raised good questions about where the text ended. The conclusion was, admittedly, rather dark and difficult. Several folks suggested adding a stanza to provide some relief or hope. I have resisted that urge for several reasons. Most importantly, I did not want to diminish the validity of the suffering addressed in stanza two by offering too easy of a resolution immediately afterwards. My sense was that the questions should instead be answered by a bit of space, probably some silence, and further response in the form of another song or prayer. (Another reason to resist adding a third verse was mostly practical: LONDONDERRY AIR is really long, and could get tedious with that many repetitions!) A note from composer Clay Zambo provided me with

The Son of God became a refugee

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 Here's a new Christmas hymn inspired by current events.  It might be most effectively sung by a soloist. A weary couple lodged within a stable, the only space where they could spend the night. Were other trav'lers happy to be able to keep her labor out of mind and sight? But choirs of angels heard the mother's weeping, and heaven rang with songs of peace on earth. They went unheard by those in comfort sleeping, for Jesus came among the outcasts at his birth. An angel came to Joseph in his dreaming and warned him so his family could flee. As they escaped king Herod's evil scheming, the son of God became a refugee. How many children die without such warning? How many mothers will not be consoled, their voices choked with anger, tears, and mourning, for songs unsung and stories never to be told? Suggested tune: LONDONDERRY AIR (Oh, Danny Boy) Adam M. L. Tice, November 19, 2015 ©GIA Publications, Inc. Permission is granted f

Calvin Symposium

I'm looking forward to my first Calvin Symposium on Worship, January 28-30.  You can see what I'm doing below; visit http://worship.calvin.edu/symposium/ for more information . If you have any suggestions of songs for my Friday workshop, please see my last post and leave a comment. Thursday 10:15-3:30, Retreat: A New Song, A Skillful Song Sandra McCracken and Adam Tice, moderated by Greg Scheer Those of us who feel Psalm 33's call to write new songs must remember that the Psalm also tells us to play skillfully. In this seminar we will focus on the skills of songwriting for congregations, digging into what it means to balance inspiration and perspiration. Join critically-acclaimed singer-songwriter Sandra McCracken and widely-published hymn writer Adam Tice as they speak with Greg Scheer about their approaches to creating new texts, new tunes, and the combining of texts and tunes. The afternoon will be spent discussing participants' song submissions. Att

Congregational songs on/from Isaiah

In January I will be doing a workshop at the Calvin Symposium on Christian Worship on newer congregational song drawn from Isaiah. I'd like to crowd-source material to present. Please leave suggestions in the comments below. I would especially welcome international selections, and songs in a stylistically contemporary idiom.  Extra points for pieces that are NOT Advent related (although those are welcome as well.) I'll update this list as ideas come in.  Here are a few I already have in mind: We Wait the Peaceful Kingdom (Kathleen Moore) Isaiah 11:6-9 Heaven Opened to Isaiah (Rawandan, paraphrased and arr. Greg Scheer) Isaiah 6:1-3 Upon God's Holy Mountainside (Tice/Morris) The People Who Walked in Darkness (Mary Louise Bringle/Sally Ann Morris) Isaiah 9 Dream On, Dream On (Hae Jong Kim/Sunkyung Lee) Isaiah 11, Isaiah 40 Speak a Word to Us, Isaiah (John Thornburg) From Darkness I Will Lead Them (Joanne Reynolds)

Blog Roundup

Here are some interesting recent posts on blogs I follow. Check them out! CWS noted some recent major hymological anniversaries. His post on John Newton (writer of "Amazing Grace") includes a lesser-known text with an analogy involving a compass. Quite a natural image for a former sea-farer.  CWS also wrote on Fanny Crosby's "God of our Strength," which he discovered in Hymnal: A Worship Book. An a third excellent recent post: Isaac Watts , grand-daddy of English hymnody. "Ask Her About Hymns" has a write-up on the recent Hymn Society annual conference in New Orleans. Take a look through her older posts as well. She reports on a fascinating theory about "When the Saints Go Marching In." If you are involved in selecting music for worship, make regular visits to Singing from the Lectionary . The Australian writer draws from a wide variety of sources in creative ways. Finally, a few posts about my own work: "Hymn Notes" w

God, Give Me Faith Like a Child

I wrote "God, Give Me Faith Like a Child" in 2012, shortly after moving back to Indiana. I was impressed by my then-toddler's ability to adapt to our new life, even as I struggled to figure out what to do with myself. Sally Morris provided me with the plaintive tune just a few days later. This might be the simplest track on Walk in Peace ; it is certainly one of my favorites. The vocalist is the amazing Pax Ressler and the guitarist is Matthias Stegmann , who also engineered most of the album. Rather than recording the guitar and vocalist separately (as would normally be the approach), we recorded them simultaneously. Giving the musicians some room for give-and-take makes for a beautiful track. The text and tune can be found in Stars Like Grace , in the Walk in Peace collection, or as an octavo (with another piece from the CD, "When You Wonder, When You Wander."

Art and Craft (and Hymns)

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There's an old dresser in the guest room of our house. To an untrained eye, it looks "nice," perhaps "pretty" in an antique sort of way, and certainly functional. Look closely and you'll notice artful stenciling on the front that says, "John Kinsinger" and "1876." (Look even more closely and you'll notice that the "s" in Kinsinger is backwards.) John Kinsinger was my great-great-grandfather. The dresser was made for his 18th birthday by his grandfather, Jacob Knagy. Jacob, my great-great-great-great-grandfather, lived from 1796 to 1883, so he was around 80 when he built this piece. He was a prolific furniture maker, and his work is now considered quite collectable . Beyond its functionality and basic visual appeal, people who know anything about wood-working get very excited about the dresser. They pull open the drawers and marvel at the hand-carved dovetails, which line up perfectly. They touch the wood and comment

Where the Joys and Hopes of Living

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I was delighted to spend Tuesday at the National Association of Pastoral Musicians annual convention in Grand Rapids. It was a wonderful day of connecting with a number of my collaborators, several of whom I met for the first time. (One of the odd things about hymn writing is that sometimes producing a piece together can happen without any direct interaction!) One of these previously un-met composers is Norah Duncan IV: Norah is best-known in Mennonite circles for the "Duncan Alleluia," which was popularized by John Bell and the Iona community, and is included in our Sing the Journey hymnal supplement. Several years ago Norah provided my text "Christ the Victorious" with an energetic choral setting in an African-American gospel style. (The "listen preview" here provides a rather buttoned-down rendition.) He tells me that the premier performance went on for 26 minutes! When I conducted it at Hyattsville Mennonite it only took four. It has also been tr

Glorify the Lord

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Here's a new piece composed by Tony Alonso. Tony provided me with the refrain, with text derived from one of the options for dismissal words in the recently-revised Roman Missal. He had most of the tune written as well, and made just a few tweaks after I filled in the text. He had been asked to provide a piece celebrating the 200th anniversary of the Religious Sisters of Charity, founded by Mother Mary Aikenhead. (So naturally he asked a Mennonite to collaborate on the text!) My text is inspired by some of the core concerns of the Sisters. A condensed version (without choral parts and the bridge) is printed in Claim the Mystery . Choral edition Recording (track 13)

Claim the Mystery

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Welcome to my new site.  I will post occasional updates here. Please see the above links for full information about me, upcoming events, and publications. The latest big news is the release of Claim the Mystery: 50 More Hymn Texts . It is my fourth collection published by GIA.